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All that remains is a collection of images. A matrix of points of coloured light on a screen.
The objects themselves are scattered. Some to be used, some to be contemplated and some to be re-exhibited at some future date when a suitable piece is again needed to represent its creator. What will have gone forever, is the close proximity of all the containers gathered in one Exhibition venue to present to an unknown audience the dreams of their makers. Why an exhibition of Boxes? Why not objects in a more esoteric vein? Today, exhibitions of Woodwork give the craftsperson permission to interpret in whatever way the fancy, fashion or novelty directs. The utilitarian value of many of our accepted Furniture forms can be compromised to mere graphic images, and International Furniture Design Competitions can be won with designs that appropriate the vocabulary of Furniture, but sit firmly in the context of Sculpture. They are objects whose primary function is contemplation with minimal referece to the utilitarian. When the "Boxes" Exhibition was planned, we invited Designer/Makers to consider the contents of any box they proposed to exhibit, to be integral with the structure of the container. The response was wonderful and the range of approaches most exciting. Exquisite craftsmanship, fine materials, social comment and humour are just a few aspects that come to mind. However, above all, the Exhibition clearly demonstrates the creative commitment of all who made the time to take part in the Exhibition. My heart-felt thanks to you all. George R. Ingham Canberra 1996 |